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WATCH THIS BOOK TRAILER

 

NEW FROM COFFEE HOUSE PRESS!

In July 2007, handmadevideo produced Kao Kalia Yang's "The Place Where We Were Born," a video memoir built upon a collection of photographs of Ban Vinai refugee camp that the author had obtained unexpectedly.

Now, we are happy to present the trailer announcing the Coffee House Press publication of Kalia Yang's new book, The Latehomecomer: A Hmong Family Memoir. PURCHASE HERE.

 
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View a collection of short format clips introducing programs, books, events and productions over the last two years. Click here to get started.

 


John O'Brien started life as a trumpet player (he still is) and later became addicted to After Effects and short-form video. His early on-line piece Life at Night (free CD download) was nominated at Cannes in 2001. John has received generous support from the NEA, McKnight and Jerome Foundations. His interactive piece, The Citizen, won "Best of Show" honors at Gallery RFD's show, "Growing up and Looking Back."

john obrien resume (pdf).

 
 

ASCI
featured member
March 08

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play reel

trailers
video poetry

We recently finished the color grading and fx for Zach Lebeau's
The Rogue

We produced Kalia Yang's
The Place Where We Were Born

Easystreet
the charmed and timely marriage of harry mcmarty
two very different
treatments of the same idea.

How can I remember this if it never happened to me? 
An Interactive Narrative
The Citizen
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MLK day in St Paul

Contact
John O'Brien's Handmade Video
2176 Powers Ave
Saint Paul MN 55119
651.285-5421

john@johnobrienvideo.com

 

watch the trailers trailer information

 

HAIL and the Hmong Cultural Center
on the Hmong Storytelling Project.

 



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watch video excerpt
The Hmong Storytelling Project is a pilot program that pairs a younger Hmong artist with and elder artist to learn and create new art work. This project is focused on scoring funeral songs for infants who died before age one (babies do not have a soul until their first birthday) and women who died without a male relative to send her soul back to the ancestors. There other types of funeral songs, or what we consider to be common funeral songs and performances, but these songs were selected because one is performed less often due to lower infant mortality rates and the other has always been rare. With fewer elder artists and a high rate of documentation for the common funeral songs, we wanted to ensure that these rare performances are preserved in an art format that is permanent and accessible to anyone interested in Hmong traditional art.